The Moral Transformation of 'Wicked': From Villain to Misunderstood Hero
The modern entertainment industry increasingly reframes traditional villains as misunderstood heroes, reflecting a post-Christian shift in moral understanding. This trend is exemplified in "Wicked," which reimagines the Wicked Witch of the West as Elphaba, a compassionate outsider fighting against systemic oppression.
The film explores the friendship between Elphaba (Cynthia Erivo) and Glinda (Ariana Grande) at Shiz University, where their contrasting personalities—Elphaba's earnest activism and Glinda's privileged naiveté—create a compelling dynamic.
Wickedness in the story isn't found in Elphaba but in Oz's power structures. The Wizard (Jeff Goldblum) and Madame Morrible (Michelle Yeoh) represent corrupt authority, while the persecution of talking animals parallels real-world discrimination. Elphaba's "wickedness" stems from her passionate resistance to injustice, rather than any inherent evil.
The film's signature song "Defying Gravity" encapsulates its moral philosophy: rejecting external authority in favor of personal truth. This resonates particularly with marginalized communities, promoting self-acceptance and autonomy over traditional moral frameworks.
While "Wicked" effectively critiques social injustice and champions dignity for all, its moral relativism ultimately creates philosophical inconsistencies. By rejecting absolute moral standards, the story struggles to define good and evil beyond power dynamics and personal preference.
The narrative reflects contemporary culture's shift from theological concepts of sin to psychological interpretations of trauma and brokenness. Though well-intentioned in its exploration of justice and marginalization, "Wicked" demonstrates how post-Christian storytelling often lacks coherent moral foundations despite retaining Christian-influenced ethical intuitions.
Book and pen on white blanket